Updated November 11, 2025: All the women selling the Patricia Krenwinkel is a woman about to go to the Other Side too says to all liars that manufacture the new realities for the humans, the box cutters too that on 9/11, the WE think that the 9-11-01 attacks were orchestrated by the same men and women that produced the babies way back then, in late April-June of '69 to show off that the women and men that want to reward the psychos that shot out of the cannons the newer deals that all Jones' that want to re-up Clare Desmelik's house for my rewarded-to-return-home pets stolen around the time Kitty Licks debuted thinks that all women about to return to Robbins Shana's world not as she suspects re-ups the Karma toward the wasted world of the dictators that you are, Rothschild's that selected not Jerry's aura to glow on but too say to themselves Garcia's mother was whacked to force Jerry to breed.
The WE teaches that the women and men that continue to teach to all that murdering the rock & roll stars too murders the realities that the Bilderberg black magicians are only really really sick humans.
You will learn to allow Patricia Krenwinkel, played sometimes now by other actors, that's the world where Charles Manson himself has been played by several different men. Hollywood.
You will learn again to hear that the men of power believe they are the owners of Sharon Tate's soul since they dispensed of her life during one of their devil worshiping ceremonies.
Brian Jones, the former mainstay boyfriend assigned to hunt Sharon by the elders in the Elders of Zion breasted never horny old men that wanted to breed their offspring using Sharon Tate but failed from their first attempt to impregnate her at age 15 to their disgust at her never begetting a pregnancy even after Hugh Hefner's interview flew her back to Europe to be caged and fucked constantly to impregnate her with the sacrificial baby that never was made because....
The big shits that actually took Sharon Tate's life, the Bilderberg types, the big assholes that hired Roman Polanski to enchant Sharon with the desire to be held by a very successful screen making the films kind of man, to be beloved by that man, to be proposed to and married to the man that held the cards to repeat that Roman's way to being a man that was involved in the world that held Sharon's reality involves the actors that want to remember that Roman's films too involve remembering the one made of Sharon Tate's execution, well that involves the way that the baby that wasn't even Rosemary's was the baby that never died in LA at the house owned by, wait, I mean formerly rented by Terry Melcher.
The stories are all false. The LaBianca's are not the only humans not on the IRS schedule post "execution". The WE think that asking when a membership of the I-want-the-story-to-create-the-movie-version thinks that saying to the telephone that the number is...Wait. Only lies are allowed to be produced. Right Quentin Tarantino?
You want to work to hear that all the people that sell themselves as actors and then pretend to never ever need to know that they are there to remember that cosmic justice works allows the WE to remember to all store bought men that the water that regains the rejuvination treats the casting as Steven Parent's character returning again as the man that to the hour still portrays Patricia Krenwinkel.
The WE think that you want to know more about Tate's impressions. The WE want to return toward the ghosts. Ghosts talk.
You want to know about how Sharon's body too held never ever ever a pregnancy. Sharon Tate wasn't ever pregnant. I want to regard that as Sharon's way to leave the story toward the WE's need of replaying the dialogue that all the stories must be repeated only to the men and women wanting to repeat them using cinematography.
